Central exhibition tour. Special Features. More photo tours. Christine Macel , the curator of the 57th International Art Exhibition, explaines her project as follows:. Today, in a world full of conflicts and shocks, art bears witness to the most precious part of what makes us human. Art is the ultimate ground for reflection, individual expression, freedom, and for fundamental questions. It is in and through these individual initiatives that the world of tomorrow takes shape, which though surely uncertain, is often best intuited by artists than others.
Viva Arte Viva is an exclamation, a passionate outcry for art and the state of the artist. Viva Arte Viva is a Biennale designed with the artists, by the artists and for the artists. It deals with the forms they propose, the questions they pose, the practices they develop and the ways of life they choose.
The Exhibition in the Arsenale and Central Pavilion of the Giardini organically evolves in a sequence of pavilions, offering the spectator a journey, from the interiority to the infinity. These nine Trans-pavilions , which gather artists of all generations and origins, sinuously follow one another like chapters of a book:.
The Pavilion of Joys and Fears explores the relationship between the individual and his own existence, his emotions and feelings or the ones he tries to generate. Likewise, the Pavilion of the Earth is centred on environmental, animal and planetary utopias, observations and dreams.
The Pavilion of Traditions: More and more artists explore not only contemporary or recent history, but also a more distant past, as if fired by the fever of archaeology, excavation, re-interpretation and reinvention. The Dionysian Pavilion celebrates the female body and its sexuality, life and pleasure, all with joy and a sense of humour, and features numerous works created by female artists.
The Pavilion of Time and Infinity: In the final chapter the notion of time re-emerges with a new metaphysical quality, within borgesian mazes and speculations of a future that is already embedded in the present, or in an ideal infinity. Tehching Hsieh, an influential figure in the history of conceptual and performance art, represents Taiwan with an exhibition curated by Adrian Heathfield.
Curator: Hammad Nasar. Artist Michal Cole poses for a picture inside her installation "Top Gun" a room entirely decorated with twenty five thousand neck ties on May 12, in Venice, Italy. Austrian artist Erwin Wrum poses next to art piece "Stand quiet and look out over the Mediterranean sea " during press preview of the 57th International Art Exhibition Biennale, on May 9, We want to hear what you think about this article.
Submit a letter to the editor or write to letters theatlantic. A Hindu festival in Bangladesh, snowfall in northern China, fighting in Yemen, a plane crash in Brazil, a gathering of pelicans in Israel, Bonfire Night in England, and much more. One last look at the colorful beauty of this autumn, seen across the Northern Hemisphere.
Images of an foot-tall puppet, depicting a Syrian refugee girl, that has traveled 5, miles in recent months. Diwali celebrations in India, a walk through a pond in Belgium, a glacier in Argentina, anti-government protests in Bangkok, a foggy sunrise over San Francisco, and much more. Image courtesy of Halcyon Gallery. Represented by the Halcyon Gallery , the huge sculpture aims to make a statement on the effects of global warming.
Quinn, known to use body parts especially hands in his sculptures, uses the gigantic limbs as a commentary on the fragility of our built and natural environment and its vulnerability to the forces of nature and man. Photo by Finding Valhalla, IG.
Photo by Matthieu Salvaing. Curated by collector Charles Zana , the show of over 70 pieces sets up a dialogue between the work of the two great Italians. Photography by Enrico Fiorese. Curated by Luca Massimo Barbero, the exhibition features more than works, many of which on show for the first time, which are entirely dedicated to the glass and crystal production of the Italian designer. The sculpture was created by the late American artist James Lee Byars in but is being exhibited in a public space for the first time.
Presented by Fondazione Giuliani and Michael Werner Gallery , the glowing tower is entirely gilded and took several months to craft. The captain lied. Made of solid glass bricks, the piece is a curving wall that is over 75 meters long and 2.
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